Showing Tag: "multicam" (Show all posts)

The annual doccie: a township production of Mozart's Figaro

Posted by Corne Scheepers on Saturday, October 1, 2016,

I try to do one big project a year, usually a documentary, and this one for 2016 happened quickly and very unexpectedly when Conroy Cupido phoned me while I was on another shoot. I was also tempted to blog this story earlier in the week, but I decided to wait a few days. Make no mistake I really enjoy blogging; I find the production process and tools I use absolutely fascinating and I love writing about things I have a passion for. But something about this project just wanted me to wait un...

Multicam magic in Media Composer 8.6

Posted by Corne Scheepers on Friday, September 16, 2016,

Nowadays I shoot most of my sit-down interviews with two cameras. As a result I do a lot of multicam editing. A lot. And the good news is that multicam just got better in the latest version of Avid Media Composer 8.6.1

I still recall thinking it was serious voodoo the first time I synced up the footage from two cameras, dropped a group clip into the sequence and then proceeded to fly through a 20min interview like it was a live cut...hit play, then hit cam 1, cam 2, cam 1 on the keyboard. Done...

October was multicam month

Posted by Corne Scheepers on Saturday, October 17, 2015,

With no less than four multicam projects, October definitely qualifies for the title "multicam month". The ability to sync up three or four camera feeds and assemble a basic cut in a live switching-type fashion has always been one of my favourite features in Media Composer. It is also a MASSIVE timesaver, allowing me to do in realtime what would have taken hours to do manually. In 8.4 multicam is still going strong, even on my rapidly aging HP Elitebook.

I'm also really thrilled with the quali...

The opera, the upside-down camera and funky frame rates

Posted by Corne Scheepers on Sunday, July 22, 2012,

To be honest, the first time someone mentioned the term "flash mob" to me, I had no real idea what it was. So I turned to the source of all known human knowledge...I Googled it. The oracle then told me that it would in fact require a full multicamera shoot if I wanted to do it right.

When the NWU's School of Music approached me a while ago to do this project I realized that I would need a second camera operator. I enlisted the help of my friend Andrew Wallis who brought his Canon DSLR and...